My work moves between control and collapse — industrial texture, digital noise, and fractured realism. I build images that sit somewhere between the real and the imagined, where structure breaks down into atmosphere and emotion.

Drawing from abstraction, surrealism, and realism, I construct visual systems that feel both mechanical and human. Cold surfaces, distorted figures, and shifting environments come together as a kind of industrial poetry — dense, atmospheric, and unstable.

At its core, the work is about the pressure points of being: identity under strain, relationships as circuitry, emotion as signal interference. Each piece becomes a fragment of a larger system, capturing moments that feel like they’re breaking apart as they